The Heiress (1949) cast and crew credits, including actors, actresses, directors, writers and more.

This is one of those films that somehow missed being placed in the Leonard Maltin guide-probably because many 'small' films from the 30s and 40s have been omitted (mostly 'B' films). And, while the only famous person in the film is Ann Sheridan, I was surprised that this little film STILL packed a lot of fun into it. Sheridan plays a very spoiled rich young lady who constantly does things just to try to upset her father! Again and again, she's tried to elope but the father always seems to find out and put a stop to it.

On the last occasion, the dad almost gets run over by a train but is rescued by a hobo who is 'riding the rails'. This hobo, it turns out, is a very helpful fella and inexplicably leaves the train to move in with the family to help set things straight-much like what occurred when William Powell followed Carole Lombard home in MY MAN GODFREY. Some of what follows is pretty easy to guess, but the way it goes about doing it is so unusual and the acting and characters so good that it is well worth seeing. It's a dandy little romantic-comedy that is surprisingly sweet and funny.

Running time115 minutesCountryUnited StatesLanguageEnglishBudget$2.6 millionBox office$2.3 million (US rentals)The Heiress is a 1949 American produced and directed by and starring as Catherine Sloper, as Morris Townsend, and as Dr. Written by and Augustus Goetz, adapted from their 1947 play. The play was suggested by the 1880 novel. The film is about a young naive woman who falls in love with a handsome young man, despite the objections of her emotionally abusive father who suspects the man of being a fortune hunter.In 1996, The Heiress was selected for preservation in the United States by the as being 'culturally, historically, or aesthetically significant'.

Contents.Plot Catherine Sloper is a plain, painfully shy woman whose exacting, and emotionally detached father, New York physician Austin Sloper , makes no secret of his disappointment in her. He is terribly bitter about the loss of his charming and beautiful wife, whom he feels fate replaced with a simple and unalluring daughter. Catherine is devoted to her father, however, and too innocent to fully comprehend his mistreatment or the reasons for it. Catherine enjoys quiet pursuits, such as caring for her father and embroidery, and seldom ventures out socially.Catherine's gregarious Aunt Lavinia Penniman moves into the household after becoming widowed, and attempts to prod Catherine into being more social and find a husband.

When she meets the handsome Morris Townsend at a ball, Catherine is taken by the attention he lavishes upon her, attention she's never received before and desperately wanted, and flourishes under his affections. Catherine falls madly in love with Morris and they plan to marry.Catherine is of age, receiving $10,000 a year from her mother's estate, and is expected to receive an additional $20,000 per year on top of this after the passing of her father. Sloper believes Morris, being far more attractive and charming than Catherine, but poor and with few prospects after he wasted his own inheritance, is an idler courting Catherine only to get her sizable income.

Aunt Lavinia is in favor of the match regardless, being both romantic and pragmatic enough to view this as Catherine's chance at a happy married life, since Morris seems somewhat genuinely fond of Catherine's honesty and kindness, despite his largely monetary motivations.A frank discussion with Morris' sister confirms Dr. Sloper's opinion of Morris as a gold digger.

The doctor tells the young couple he believes Morris is attempting to dupe plain and gullible Catherine and takes his daughter to Europe for an extended time to separate them, but she cannot forget her betrothed, especially since he frequents the house to visit Aunt Lavinia in their absence, who enables the two to keep in contact. When they return to New York, Dr. Sloper threatens to disinherit his daughter if she marries Morris, and they have a bitter argument in which he makes his disdain and distaste for her abundantly clear, and she realizes how poorly he views her.Catherine and Morris make plans to elope with the help of Aunt Lavinia, but Catherine tells Morris about her desire to disinherit herself from her father and never see him again. Catherine is impatient to cut off all contact with her father and desperate to prove him and Aunt Lavinia incorrect: someone does love her, and not her money, and she has not been stupid to think so.Catherine eagerly packs her bags and waits for Morris to come and take her away to happiness according to their plan.

She waits all night. He never comes. She drags her luggage back upstairs and puts her belongings away.Catherine is heartbroken and grows colder, now painfully aware of her father's opinions of her, but trapped caring for him nonetheless. Soon afterwards, Dr. Sloper reveals he is dying.

To cause him distress, she vengefully tells her father she still loves Morris and dares him to change his will if he is afraid they will waste his money after he dies. He does not alter the will and dies, fretful, leaving her his entire estate as Catherine refuses to see him on his death bed.Years later, Morris returns from California, having made nothing of himself, and poorer and with fewer prospects for his efforts.

Aunt Lavinia arranges for Morris to visit Catherine. He finds Catherine wealthy and unmarried, and is more attracted to her (and possibly her fortune) than before. He claims that he left her behind because he could not bear to see her destitute, and is quick to reproclaim his love for her and his desire for her affections. Aunt Lavinia is thrilled for her niece, thinking this is Catherine's great chance. Catherine ignites Morris' hopes when she requests Morris recreate their failed elopement plans.

She gives Morris a gift of ruby buttons that she had bought for him in Paris. Morris eagerly promises to come back for her that night, and she tells him she will start packing her bags.When Morris arrives later that night with the promised carriage and rings the bell, Catherine calmly orders the maid to bolt the door, leaving Morris locked outside, shouting her name and banging repeatedly on the locked door. Her aunt asks her how she can be so cruel, and Catherine coldly responds, 'I have been taught by masters.' The film fades out with Catherine silently ascending the stairs while Morris' despairing cries echo unanswered in the darkness.Cast.

as Catherine Sloper. as Morris Townsend. as Dr. Austin Sloper. as Lavinia Penniman.

as Maria (pronounced Mariah). Betty Linley as Mrs. Montgomery.

as Jefferson Almond. as Marian Almond. as Elizabeth Almond.

Paul Lees as Arthur Townsend. as Mr. Abeel. as Quintus.

David Thursby as GeierProduction After seeing The Heiress on Broadway, approached William Wyler about directing her in a screen adaptation of the play. He agreed and encouraged executives to purchase the rights from the playwrights ( and Augustus Goetz) for $250,000 and offer them $10,000 per week to write the screenplay. The couple were asked to make Morris less of a than he was in their play and the original novel in deference to the studio's desire to capitalize on 's reputation as a romantic leading man.The film premiered at in.reprised the role of Austin Sloper he originated in the London production of the play.Reception The Heiress received universal critical acclaim and won four Academy Awards.In his review in, said the film 'crackles with allusive life and fire in its tender and agonized telling of an extraordinarily characterful tale' and added, 'Mr. Has given this somewhat austere drama an absorbing intimacy and a warming illusion of nearness that it did not have on the stage. He has brought the full-bodied people very closely and vividly to view, while maintaining the clarity and sharpness of their personalities, their emotions and their styles. The Heiress is one of the handsome, intense and adult dramas of the year.'

Rates the film five out of a possible five stars and adds, 'This powerful and compelling drama. Owes its triumph to the deft hand of director William Wyler and a remarkable lead performance by Olivia de Havilland.calls the film 'typically plush, painstaking and cold. Highly professional and heartless.' Says of the performances, 'de Havilland's portrayal. Is spine-chilling.

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Clift brings a subtle ambiguity to one of his least interesting roles, and Richardson is also excellent.' In popular culture In 1975, the twenty-first episode of the eighth season of featured a take-off of the film called 'The Lady Heir', with as Catherine and as Morris.In 1992, the film has made its Philippine adaptation titled ' '. The adaptation was written by Raquel Villavicencio, produced by, and directed by Carlos Siguion-Reyna. The film stars and as Adela and David.Awards and nominations Awards.

(Olivia de Havilland). (, and ). ( and ). (Olivia de Havilland).

(Ralph Richardson). (Olivia de Havilland)Nominations. (Ralph Richardson). (Leo Tover). (Miriam Hopkins). for Best Written American DramaSee also.References.